Love’s Labor & Other Complications
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Love’s Labor & Other Complications was the first screening I saw at SFIAAFF. It’s a compilation of short films about love and relationships, and it was a pretty decent smorgasbord of stuff. I’m reviewing the shorts in the order they were shown.
Police Box

This one was pretty short, but I liked it a lot. It’s essentially about a really superficial love triangle. There’s a restaurant with counter next to a large window/glass wall thing. Outside this window is a police box with a police log that is regularly updated by a patrolling cop. A female patron who sits at this counter is interested in the cop, while another male patron becomes jealous at this and messes with the situation. Very simple and cute and even humourous. There is no dialogue aside from some writing in a police log and hand gestures, but everything is easy understand. It’s beautifully shot, with the night time urban (Hong Kong, I believe) setting. This short was actually played twice: one time normally and a second time documenting all the costs. As Andrew mentioned, the second run probably could have used a quicker runthrough, but the short is only 4 minutes, so it’s not too bad. 7/10
Edited to add: According to Rodney and Kelvin, I seem to not have paid enough attention while watching this and missed some nuances. Now I feel like a total retard :(
Fortune Hunters

This USA one was the longest short at 20 minutes, and it’s a *barf* romantic comedy… with an Asian guy dating a white girl dealing with Asian stereotypes and stereotypical Asian pressures. This can’t be good. Actually, it can. It was really, really good. Very funny and cute. The story is about a Arthur, Asian-American guy, who dumps his white girlfriend because she’s leaving to spend a year in China teaching. He ends up regretting this and writes an email to ask her back. Unfortunately, his email gets mixed up with the fortune cookie stuff he writes (his summer job is writing fortunes for his dad’s fortune cookie factory), and parts of his email gets sent out to fortune cookie eaters everywhere… with interesting results. The movie certainly doesn’t take itself seriously, and the stereotypes mentioned or portrayed serve their purpose, which is to be made fun of. The main character isn’t some totally unlikable self-centered jerk, though he may seem that way at first because of the superficial dumping of his girlfriend. I found him to be quite likable. The production values were quite good; it looked like a legit… romantic comedy. And those fortune cookie machines look hella cool. My only beef with the movie is the Chinese-culture obsessed white girlfriend. I liked her character, but her Chinese was terrible. I know the actress doesn’t know any Chinese and is just copying someone, but they really should have made her fake it better. Anyways, this was my favorite short, so it gets 9/10.
His Deafness

Okay, after two light hearted shorts, things start going downhill. They try to make this fall not as steep with this tidbit from South Korea. Very, very, very strange short. This guy gets dumped by his girlfriend because he never listens to her. He misses her and figures out a solution for his problem: bigger ears. No joke. He gets bigger ears. Just… weird. Sad. And it’s sort of shot really dark, gritty, and ugly. And after the first two, it’s a pretty big change, which is probably why it was the only short to not get any applause. I think it still has some cinematic value, but can’t say I liked it. 2/10.
Traffic in the Sky

This Asian-American film, while not necessarily bad, really didn’t click with me. First of all, it’s about love triangles again. And this time, the people are expectedly unlikable. So this guy is on the rebound after being dumped by his cheating girlfriend. He meets a new girl who he likes a lot, but his last relationship still haunts him. This movie is very film-student-ish, which isn’t surprising because the director was a recently graduated film student and some of the actors were his film school friends. There was A LOT of editing, and it’s kind of distracting and annoying. I understood its purpose, but it don’t think it came out as artistic or intelligent as the director intended. I didn’t like the main guy, and obviously I didn’t like his cheating girlfriend. The only person likable is the new girl he likes, but she kinda gets some unnecessary heartbreak, so it’s like… bleh. And even with the editing, it seemed really slow. There’s a lot of pauses and idle chit chat, I guess for the realism of the moment. It also didn’t help that, for this short, the audio happened to be kind of low. Anyways, I didn’t like this one, can’t say I’d recommend it, but it gets some points for effort. 4/10
Also, the director was at the showing and the Q&A session afterwards, and there was a lot of random cheering during the credits, so I’m guessing some of the cast and crew were there also. The film was shot in all digital (which Andrew mentioned might have encouraged the excessive editing), and the total cost was around $8000, a lot of which was used to feed the cast. (The director mentioned that, no matter how low you pay the crew, as long as you feed them pretty good, they tend to be happy :) ) Despite using digital, he used most of the footage he shot.
Stutter

I think the low point for the series of shorts was reached with this American short. And it’s not really… bad, I think. But rape generally is a pretty big downer. A woman is blown off by her boyfriend on New Year’s Eve, so she goes home with someone who seems nice, but apparently isn’t so nice. The guy apparently likes to bring women home (where he lives with his grandmother) and force them to stay the night. The rape scene isn’t particularly graphic, but it is strange. There’s a lot of editing in the scene, so lots of other images are spliced in. Images of… randomness? I don’t get it. One clip is of the main woman sleeping on a bed on the roof of a building or something. Perhaps too symbolic and artistic for me, I dunno. It was too weird and depressing for me. 3/10 (It scored a little better than the Korean one because it at least looked better and had more depth, but… oh whatever, numbers are totally arbitrary anyways.)
Enough

This Canadian short is also kind of film-student-ish. It’s about this Asian girl who freaks out over her recent choices in lovers, which include a white pot-smoking yoga instructor and black ghetto wannabe gangsta rapper (or I think that’s what he is). It’s the morning after her night with Mr. Yoga Instuctor, and Mr. Ghetto Gangsta is bugging her for his stuff back. I think she eventually finds them both irritating and starts screaming and throwing stuff out of her window. I don’t know; I didn’t really get this one either, though I think I got it more than the last three shorts (guys are annoying = freak out = I kinda understand). I think the lack of story and/or point is what makes this one seem kind of amateurish. It looked okay, but I’m no expert on that stuff. 4/10
Mei

So we finish off with Mei, which is the thesis project for a USC graduate film student… who happened to be sitting in the reserved seats in front of us. Thankfully, this film didn’t suck so there was no back-stabbing dissing; actually, it was quite good. It’s about the people working at a noodle stand in a Taiwanese night market. The shop is named after the shopowner’s daughter, Mei. Mei dreams of going to the US and persuing her dreams there, but she’s concerned about leaving her father behind (whose wife ran off years ago) alone with the shop. Also working at the shop is Jian, a shy guy who loves both Mei the noodle stand and Mei the girl. The film is very subtle in a good way, and it’s incredibly well shot. It captured the essence of the night market really well, and the audio quality was also excellent. Constantly hearing noisy mopeds in the background (in surround sound even) and seeing the dark alleys and neon lights reminded me a lot of my trips to Taiwan. So, I wasn’t sure if I was just biased because I’m Taiwanese and have been to Taiwan, but apparently all the guys I saw it with (all three are not Taiwanese, though Kelvin has been to Taiwan) liked it too. Though not that much happens, it has a natural narrative, and the characters are believable and likable. Beautiful and subtle, I give it 9/10.
The director had some interesting tidbits to mention during the Q&A session. The film was shot in 35mm, which was explained to me as being very expensive but somewhat worth the money, because 35mm looks pretty damn good. As a result, the short film cost $25k to make, and his usage ratio was 10:1 (every minute in the final cut, 10 minutes was filmed). He said night markets are often considered dirty and not romantic, but he personally finds it romantic and he wanted to capture it that way on film. He also said the Taiwanese audience response was quite different to the American one, where the Taiwanese felt the film moved quickly. An audience member mentioned his style was reminiscent of Wong Kar Wai, and he said that he loves Wong Kar Wai and shamelessly takes heavy influence from him and Woody Allen.
Alright, that took forever. Overall, my favorite I think was Fortune Hunters, simply because it’s very humorous, but Mei was a very close second. I also really like Police Box, though it was very simple and short. The rest I didn’t like so much, but not enough to deter the positive feelings I got from the three I liked. I was initially disappointed with the order; it seemed like they teased us with some fun comedies, climaxed with depressing crap, and settled with a nice subtle film. My general attitude is that they should save the best for last, but my fellow viewers correctly commented that a romantic comedy might not as entertaining after watching someone get raped. ANYWAYS, definitely a good mix of shorts. 7/10
Love’s Labor & Other Complications was the first screening I saw at SFIAAFF. It’s a compilation of short films about love and relationships, and it was a pretty decent smorgasbord of stuff. I’m reviewing the shorts in the order they were shown.
Police Box
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This one was pretty short, but I liked it a lot. It’s essentially about a really superficial love triangle. There’s a restaurant with counter next to a large window/glass wall thing. Outside this window is a police box with a police log that is regularly updated by a patrolling cop. A female patron who sits at this counter is interested in the cop, while another male patron becomes jealous at this and messes with the situation. Very simple and cute and even humourous. There is no dialogue aside from some writing in a police log and hand gestures, but everything is easy understand. It’s beautifully shot, with the night time urban (Hong Kong, I believe) setting. This short was actually played twice: one time normally and a second time documenting all the costs. As Andrew mentioned, the second run probably could have used a quicker runthrough, but the short is only 4 minutes, so it’s not too bad. 7/10
Edited to add: According to Rodney and Kelvin, I seem to not have paid enough attention while watching this and missed some nuances. Now I feel like a total retard :(
Fortune Hunters
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This USA one was the longest short at 20 minutes, and it’s a *barf* romantic comedy… with an Asian guy dating a white girl dealing with Asian stereotypes and stereotypical Asian pressures. This can’t be good. Actually, it can. It was really, really good. Very funny and cute. The story is about a Arthur, Asian-American guy, who dumps his white girlfriend because she’s leaving to spend a year in China teaching. He ends up regretting this and writes an email to ask her back. Unfortunately, his email gets mixed up with the fortune cookie stuff he writes (his summer job is writing fortunes for his dad’s fortune cookie factory), and parts of his email gets sent out to fortune cookie eaters everywhere… with interesting results. The movie certainly doesn’t take itself seriously, and the stereotypes mentioned or portrayed serve their purpose, which is to be made fun of. The main character isn’t some totally unlikable self-centered jerk, though he may seem that way at first because of the superficial dumping of his girlfriend. I found him to be quite likable. The production values were quite good; it looked like a legit… romantic comedy. And those fortune cookie machines look hella cool. My only beef with the movie is the Chinese-culture obsessed white girlfriend. I liked her character, but her Chinese was terrible. I know the actress doesn’t know any Chinese and is just copying someone, but they really should have made her fake it better. Anyways, this was my favorite short, so it gets 9/10.
His Deafness
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Okay, after two light hearted shorts, things start going downhill. They try to make this fall not as steep with this tidbit from South Korea. Very, very, very strange short. This guy gets dumped by his girlfriend because he never listens to her. He misses her and figures out a solution for his problem: bigger ears. No joke. He gets bigger ears. Just… weird. Sad. And it’s sort of shot really dark, gritty, and ugly. And after the first two, it’s a pretty big change, which is probably why it was the only short to not get any applause. I think it still has some cinematic value, but can’t say I liked it. 2/10.
Traffic in the Sky
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This Asian-American film, while not necessarily bad, really didn’t click with me. First of all, it’s about love triangles again. And this time, the people are expectedly unlikable. So this guy is on the rebound after being dumped by his cheating girlfriend. He meets a new girl who he likes a lot, but his last relationship still haunts him. This movie is very film-student-ish, which isn’t surprising because the director was a recently graduated film student and some of the actors were his film school friends. There was A LOT of editing, and it’s kind of distracting and annoying. I understood its purpose, but it don’t think it came out as artistic or intelligent as the director intended. I didn’t like the main guy, and obviously I didn’t like his cheating girlfriend. The only person likable is the new girl he likes, but she kinda gets some unnecessary heartbreak, so it’s like… bleh. And even with the editing, it seemed really slow. There’s a lot of pauses and idle chit chat, I guess for the realism of the moment. It also didn’t help that, for this short, the audio happened to be kind of low. Anyways, I didn’t like this one, can’t say I’d recommend it, but it gets some points for effort. 4/10
Also, the director was at the showing and the Q&A session afterwards, and there was a lot of random cheering during the credits, so I’m guessing some of the cast and crew were there also. The film was shot in all digital (which Andrew mentioned might have encouraged the excessive editing), and the total cost was around $8000, a lot of which was used to feed the cast. (The director mentioned that, no matter how low you pay the crew, as long as you feed them pretty good, they tend to be happy :) ) Despite using digital, he used most of the footage he shot.
Stutter
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I think the low point for the series of shorts was reached with this American short. And it’s not really… bad, I think. But rape generally is a pretty big downer. A woman is blown off by her boyfriend on New Year’s Eve, so she goes home with someone who seems nice, but apparently isn’t so nice. The guy apparently likes to bring women home (where he lives with his grandmother) and force them to stay the night. The rape scene isn’t particularly graphic, but it is strange. There’s a lot of editing in the scene, so lots of other images are spliced in. Images of… randomness? I don’t get it. One clip is of the main woman sleeping on a bed on the roof of a building or something. Perhaps too symbolic and artistic for me, I dunno. It was too weird and depressing for me. 3/10 (It scored a little better than the Korean one because it at least looked better and had more depth, but… oh whatever, numbers are totally arbitrary anyways.)
Enough
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This Canadian short is also kind of film-student-ish. It’s about this Asian girl who freaks out over her recent choices in lovers, which include a white pot-smoking yoga instructor and black ghetto wannabe gangsta rapper (or I think that’s what he is). It’s the morning after her night with Mr. Yoga Instuctor, and Mr. Ghetto Gangsta is bugging her for his stuff back. I think she eventually finds them both irritating and starts screaming and throwing stuff out of her window. I don’t know; I didn’t really get this one either, though I think I got it more than the last three shorts (guys are annoying = freak out = I kinda understand). I think the lack of story and/or point is what makes this one seem kind of amateurish. It looked okay, but I’m no expert on that stuff. 4/10
Mei
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So we finish off with Mei, which is the thesis project for a USC graduate film student… who happened to be sitting in the reserved seats in front of us. Thankfully, this film didn’t suck so there was no back-stabbing dissing; actually, it was quite good. It’s about the people working at a noodle stand in a Taiwanese night market. The shop is named after the shopowner’s daughter, Mei. Mei dreams of going to the US and persuing her dreams there, but she’s concerned about leaving her father behind (whose wife ran off years ago) alone with the shop. Also working at the shop is Jian, a shy guy who loves both Mei the noodle stand and Mei the girl. The film is very subtle in a good way, and it’s incredibly well shot. It captured the essence of the night market really well, and the audio quality was also excellent. Constantly hearing noisy mopeds in the background (in surround sound even) and seeing the dark alleys and neon lights reminded me a lot of my trips to Taiwan. So, I wasn’t sure if I was just biased because I’m Taiwanese and have been to Taiwan, but apparently all the guys I saw it with (all three are not Taiwanese, though Kelvin has been to Taiwan) liked it too. Though not that much happens, it has a natural narrative, and the characters are believable and likable. Beautiful and subtle, I give it 9/10.
The director had some interesting tidbits to mention during the Q&A session. The film was shot in 35mm, which was explained to me as being very expensive but somewhat worth the money, because 35mm looks pretty damn good. As a result, the short film cost $25k to make, and his usage ratio was 10:1 (every minute in the final cut, 10 minutes was filmed). He said night markets are often considered dirty and not romantic, but he personally finds it romantic and he wanted to capture it that way on film. He also said the Taiwanese audience response was quite different to the American one, where the Taiwanese felt the film moved quickly. An audience member mentioned his style was reminiscent of Wong Kar Wai, and he said that he loves Wong Kar Wai and shamelessly takes heavy influence from him and Woody Allen.
Alright, that took forever. Overall, my favorite I think was Fortune Hunters, simply because it’s very humorous, but Mei was a very close second. I also really like Police Box, though it was very simple and short. The rest I didn’t like so much, but not enough to deter the positive feelings I got from the three I liked. I was initially disappointed with the order; it seemed like they teased us with some fun comedies, climaxed with depressing crap, and settled with a nice subtle film. My general attitude is that they should save the best for last, but my fellow viewers correctly commented that a romantic comedy might not as entertaining after watching someone get raped. ANYWAYS, definitely a good mix of shorts. 7/10













